Oct 3, 2021 14:15
2 yrs ago
39 viewers *
French term

son écrasé

French to English Art/Literary Music Contemporary electronic music
Description of a specific sound event in notes for a score. This does not seem to be related to my other question.

It appears to me that it refers to a specific treatment of recorded or amplified sound. Here the context is savant modern classical music. But the term appears to be used in pop recording as well.
Proposed translations (English)
4 +3 'crushed' sound
3 muffled sound

Discussion

Conor McAuley Oct 12, 2021:
To Tony I've got a couple of people in the music biz I could ask...out of pure curiosity.
Tony M Oct 12, 2021:
@ Conor Thanks! The problem in my view is that 'saturation' is the term usually used in FR for (presumably intentional!) distortion, so it is difficult to know in this context whether the writer is using the technical term incorrectly, or is actually trying to describe a different kind of effect. There is an audible differnece between the distortion caused by true 'saturation' in an amplifier stage, which causes 'clipping', a much harsher sound; or simply a degree of non-linearity produced at levels below clipping, which would produce a 'softer' distortion that might legitimately be termed 'crushing' — this kind of 'soft' distortion was something much appreciated with the user of valve amplifiers.
Things are complicated by the fact that both terms 'clipping' and 'crushing' are also used to describe the same kind of phenomenon in video terms!
Conor McAuley Oct 12, 2021:
Tony, I like your "saturation" in one of your comments. Describes the process and not the result, but still, it works well.
Conor McAuley Oct 3, 2021:
Looks like Tony might be right...but with "distortion" in the body of his answer:

"Mais ceux qui ont vu Spooky Tooth sur scène, savent qu’ils jouaient devant un mur d’amplis. Ils savent qu’ils avaient un gros son grave, lourd et lent. Ils ont contribué à poser les fondations de ce ***son écrasé***, de la culture de la ***distorsion***."

https://journals.openedition.org/volume/539

Proposed translations

+3
1 hr
Selected

'crushed' sound

This refers to when the peaks of the sound are distorted or 'crushed' — sometimes, unwanted, when an amplifer overloads, but also used as a special effect; the FR also talk about 'saturation', which is another way of describing the same phenomenon. I don't know if any specific nuance of meaning is intended between these two usages.
My only qualm is that, while we certainly do talk about an amplifier 'crushing', I don't recall having come across it used to describe the resulting sound. I'm afraid to me as an engineer and hi-fi enthusiast, it is just (ugly!) distortion!
You could look at guitar special FX pedals to see what kind of names are in vogue!
Peer comment(s):

agree SafeTex : I've gone for this based on the software Audacity
10 hrs
Thanks, S/T!
agree MassimoA
1 day 31 mins
Thanks, Massimo!
agree Samuël Buysschaert
1 day 56 mins
Merci, Samuël !
Something went wrong...
4 KudoZ points awarded for this answer. Comment: "Thanks Tony. In consultation with the composer, we went with a more descriptive paraphrase."
7 hrs

muffled sound

Écraser does indeed mean crush, squash , squeeze, etc, but in the case of sound alteration, intentional or otherwise, sound distortion is referred to as ' muffled'
Peer comment(s):

agree Nick Pell
6 hrs
Thank you!
disagree Tony M : This simply does not correspond to the technical effect of 'crushing', which relates in effect to the 'saturation' (deliberate or accidental) of an amplifying stage in the sound chain. 'Muffled' would be more like 'étouffé'
9 hrs
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Reference comments

12 hrs
Reference:

Audacity and other audio programs

Today’s edition of BPB Freeware Studio features a list of the best free bitcrusher VST/AU plugins for Windows and Mac.

A bitcrusher is a very straightforward type of effect – it simply reduces the bit depth of the processed audio signal, resulting in audible degradation. It’s a very “digital” sounding type of distortion which works well for a variety of mixing and sound design tasks. Slight amounts of bit reduction can make sampled drums sound more crunchy and crisp, an effect that’s reminiscent of old-school hardware drum samplers like the legendary E-mu SP-12. Of course, higher amounts of bitcrushing will result in more distortion, suitable for creating distorted bass sounds, glitchy sound effects, etc.

Despite the fact that bitcrushing is a straightforward effect, there’s definitely some contrast in sound character between various bitcrusher plugins, probably due to the different algorithms being used “under the hood”. Also, some plugins come with neat extra features like sample rate reduction, smoothing, modulation, and various other goodies. Thus, I’ve decided to make a big list of all useful freeware bitcrushers I know of and let you choose your own favorites from the bunch. There’s some well-known stuff in the list, but also some gems I’m sure you’ve never heard of!
Note from asker:
I believe "bitcrusher" is a completely different concept, referring simply to reducing the sampling rate or algorithm.
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